The things we talk about when we talk about love

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the things we talk about when we talk about love

What We Talk About When We Talk About Love by Raymond Carver

Ill announce the cliche of my loving this book before you beat me to it.

Im an overeducated, mock-contemplative early-twenty-something with a penchant for strong male voices (despite my feminist leanings) and a distaste for anything too sentimental. I was raised in the tradition of Show, Dont Tell and hold this closer than even my favorite teddy (whose name is Atticus.) My middle name is Minimalism. My other middle name is Ooh, that sounds pretty.

With that out of the way, yes, of course I loved this volume, and probably for the reasons youd expect.

Raymond Carvers name should be in lights. Everyone who likes this book is going to tell you that one of Carvers strengths is his knack for understatement. Im guessing what theyre getting at is Carvers ability to keep all the mechanics of his stories imperceptible beneath the surface, with maybe a few out-of-character exceptions (the alcohol device in the title story being one). Theres also the fact that Carver seems to accomplish things in the span of one page that so many authors would kill many more trees (and possibly small children, and maybe even a puppy or two) to achieve; see the opening page of Tell The Women Were Going to see what I mean. How many authors can convincingly sum up the entire personal history of two characters in only one paragraph?

Beneath the tightness of each story there seems to be a distinctive pulse. Not the rhythm of the language. Rather, the kind of pure life energy that all artistic works strive for (or at least they should.) When stories took turns (for the worst is implicit), what startled me more than each outcome was often the fact that I was so moved by them each. Its because of this pulse that characters who existed for only 3 or 4 pages still seemed to walk off the page and become real. And thats probably what will make these stories linger in my memory.

People often seem to speak of Raymond Carvers America when theyre trying to grasp these stories. I dont know what that means, or if Raymond Carvers America is anything like mine. Whatever it is, its tortured and beautiful. And I like it.
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Published 03.12.2018

Khalid - Talk (Official Video)

What We Talk About When We Talk About Love is a collection of short stories by American writer Raymond Carver, as well as the title of one of the stories.
Raymond Carver

What We Talk About When We Talk About Love

Sign in. Watch now. Two couples are drinking before heading out to dinner. Soon, their conversation turns to the topic of relationships. As they head deeper into the night, more than just drinks are spilled. A married couple is woken by a mysterious phone call that begins an unsettling journey into love and fear. As the Barrett family's peaceful suburban life is rocked by an escalating series of disturbing events, they come to learn that a terrifying and deadly force is after them, one which may have arrived from beyond the stars.

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The gist is simple enough: two married couples down some gin and dish about love over the course of an afternoon in late summer or early fall. In addition to giving us a few spare doses of the hearts-and-flowers variety of love, "What We Talk About When We Talk About Love" tosses violence, hatred, depression, and alcoholism in our laps, all in an effort to suss out what love is, and why we bother. Anything but simple. What makes Raymond Carver 's dark yet heartwarming story even more interesting is that there are two versions of it and the other stories in the collection floating around. This story was heavily edited and cut by Carver's editor Gordon Lish, and much of these changes were against Carver's will. Now, I'm afraid, mortally afraid, I feel it, that if the book were to be published as it is in its present edited form, I may never write another story, that's how closely, God Forbid, some of those stories are to my sense of regaining my health and mental well-being… Please help me with this, Gordon. I feel as if this is the most important decision I've ever been faced with [

He writes pain and loss and despair. He writes it the way he sees it. And he sees it cold and hard and brutal. Stuart, Gordon, Mel and Vern go fishing. They see a dead body.

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