Thirty two short films about glenn gould

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thirty two short films about glenn gould

Thirty Two Short Films About Glenn Gould: The Screenplay by François Girard

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32 Short Films about Glenn Gould - 09 - The LA Concert

Music on Film: Thirty Two Short Films About Glenn Gould

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Sign in. Get a quick look at the the week's trailers, including Villains , Countdown , Like a Boss , and more. Watch now. The story is told from the perspective of Israeli soldiers. Set in the s on the Hungarian plains, a group of farm workers go on strike in-which they face harsh reprisals and the reality of revolt, oppression, morality and violence.

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Thirty Two Short Films About Glenn Gould - Truck Stop

Signing up enhances your TCE experience with the ability to save items to your personal reading list, and access the interactive map. Non-linear in its construction, the film is made up of 32 segments, each of which explains a facet of Gould's complex interior life the title refers to the number of the Goldberg Variations, Gould's most famous interpretation. Gould's odd relationships with friends, his obsession with long phone calls, his ideas about music and the human voice are just a few of the themes dealt with in the film. Several segments deal with his celebrated radio documentary, The Idea of the North. Another sequence attempts to reconstruct the abstract symphony of human and mechanical sound as it might have struck Gould when he entered a truck stop on the edge of Toronto, a concept of sound and music that was central to Gould's radio work.

Please contact mpub-help umich. For more information, read Michigan Publishing's access and usage policy. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity. The Canadian cinema involves a rich assortment of films spanning different languages, genres, narrative preoccupations, and stylistic strategies. From the Inuktitut features of Zacharias Kunuk to the family dramas of Xavier Dolan, along with National Film Board animated shorts and graphic body horror, the national oeuvre is consistently defined by experimentation and innovation. Moreover, there is an ongoing interest in interrogating elements of personal and national identity, such as gender and masculinity in Goin' Down the Road Donald Shebib, and issues affecting indigenous communities, as in the prolific documentaries of Alanis Obomsawin.

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